viernes, 5 de junio de 2015

40 Years Ago: Syd Barrett Visits Pink Floyd During ‘Wish You Were Here’ Sessions


40 Years Ago: Syd Barrett Visits Pink Floyd During ‘Wish You Were Here’ Sessions

Syd Barrett‘s tortured spirit was already hovering over Pink Floyd‘s ninth studio album, Wish You Were Here – even before he unexpectedly crashed the studio sessions on June 5, 1975.
Both the emotive title track and shimmering, psychedelic epic “Shine On You Crazy Diamond” were inspired by Barrett, the band’s fledgling former frontman, with chief writer Roger Waters meditating on themes of isolation and inward escape. So when the long-absent musician – portly, with distant gaze, shaved head and eyebrows – randomly arrived during a mixing session for “Diamond” on June 5, the coincidence reduced the band to a mixture of shock and depression.
It’s not as if Barrett, Floyd’s co-founder and the driving creative force behind their debut LP, 1967′s The Piper at the Gates of Dawn, left the band on good terms. His mental instability, erratic stage behavior and addiction to LSD made him a liability, and guitarist-singer David Gilmour was brought in as a temporary – then permanent – replacement.
Barrett made minimal contributions to 1968′s A Saucerful of Secrets, but his warped mysticism ultimately vanished: He released two studio albums – 1970′s The Madcap Laughs and Barrett, both co-produced by Gilmour and featuring Waters and keyboardist Richard Wright, respectively – but the troubled musician rarely worked after that point, eventually retreating from the spotlight.
Barrett’s fortunes seemed to be changing in 1974, when the rejuvenated songwriter made some formative – but ultimately fruitless – recordings at Abbey Road. But when he crashed the same studio during Floyd’s session less than a year later, he was bloated and mentally foggy – a sad shell of the psychedelic warrior whose warped vision guided Floyd to stardom.
The band was confused by his presence, assuming he had to be a crew member. But when Gilmour eventually identified their former bandmate, Waters broke down in tears. That June day also happened to be Gilmour’s wedding day, so Barrett wandered into the guitarist’s wedding reception at EMI. He left without telling anyone, disappearing as strangely as he’d arrived.
The experience had a profound impact on the band, particularly Waters, who even incorporated a lyrical reference to the Barrett-penned single “See Emily Play” on the LP.
I’m very sad about Syd, [though] I wasn’t for years,” Waters commented in 1975. “For years I suppose he was a threat because of all that bollocks written about him and us. Of course, he was very important and the band would never have f—ing started without him because he was writing all the material. It couldn’t have happened without him, but on the other hand, it couldn’t have gone on with him. He may or may not be important in rock ‘n’ roll anthology terms, but he’s certainly not nearly as important as people say in terms of Pink Floyd. So I think I was threatened by him.”
Gilmour, who co-wrote the music to both the title track and “Shine On,” has trouble separating these classic songs from his memories of the former Floyd icon.
Although ‘Shine On You Crazy Diamond’ is specifically about Syd and ‘Wish You Were Here’ has a broader remit,” Gilmour said in the 2012 documentary Pink Floyd: The Story of Wish You Were Here, ”I can’t sing it without thinking about Syd.”


http://ultimateclassicrock.com/syd-barrett-wish-you-were-here-sessions/

PINK FLOYD - WISH YOU WERE HERE - FULL ALBUM 1975


miércoles, 3 de junio de 2015

Emerson,Lake And Palmer - Brain Salad Surgery - 1973/ Deluxe Edition - 2014


"Brain Salad Surgery" es el cuarto álbum de estudio de la banda de Keith, Greg y Carl; álbum que algunos consideran su mejor trabajo.Junto al anterior "Trilogy" ocupa un lugar más que destacado en mi discoteca personal desde siempre.

BRAIN SALAD SURGERY (FULL ALBUM)

El artista suizo H.R.Giger, que años después haría el diseño de "Alien", fue el responsable del memorable arte de tapa del "Brain Salad..."


El álbum arranca con "Jerusalem", un himno religioso popular en Inglaterra que posteriormente adoptaran también los laboristas.La música pertenece a Hubert Parry y la letra al poeta William Blake.

JERUSALEM

El disco continúa con la "Toccata", constituída por pasajes extraídos del cuarto movimiento del "Concierto para piano Nº 1" del argentino Alberto Ginastera. La excelente adaptación contó con el beneplácito del compositor original.
TOCCATA

En la mayoría de los temas, las letras fueron escritas por Peter Sinfield, con quien Greg Lake coincidiera en King Crimson.
Pero, como en anteriores trabajos, es una balada compuesta en letra y música por Lake la encargada de dar un toque de dulzura ante las fanfarrias dominadas por los teclados de Emerson y la furiosa percusión de Palmer.
Una de mis canciones absoultamente "top" es la impresionante...

 STILL...YOU TURN ME ON

STILL...YOU TURN ME ON
Do you want to be an angel?
Do you want to be a star?
Do you want to play some magic on my guitar?
Do you want to be a poet?
Do you want to be my string?
You could be anything.
Do you want to be the lover of another,
Undercover?
You could even be the man on the moon.



Do you want to be the singer?
Do you want to be the song?
Let me tell you something,
You just couldn't be more wrong.
You see I really have to tell you,
When you're buried in disguise,
By the dark glass on your eyes.
Though your flesh has crystalized,
Still...you turn me on.
Still...you turn me on.
Letras de canciones similares en http://es.mp3lyrics.com/QGk
Mmm-mmmm-mm, you turn me on.



Do you want to be the pillow where I lay my head?
Do you want to be the feathers lying in my bed?
Do you want to be a color cover magazine;
Create a scene?
Every day a little sadder, a little madder,
Someone get me a ladder.



Do you want to be the player?
Do you want to be the string?
Let me just tell you something,
It just don't mean a thing.
You see I really have to tell you,
That it all gets so intense.
From my experience,
It just doesn't seem to make sense.
(but) Still...you turn me on.
Mmm-mmmm-mm, you turn me on, yeah.
Mmm-mmmm-mm, you turn me on.

Le sigue "Benny the Bouncer", una canción inspirada en los "western".

BENNY THE BOUNCER

El disco se cierra con una obra aplastante,"Karn Evil 9", dividida en tres secciones, llamadas aquí "impresiones":
La primera y más popular , es la que comienza con la frase "Welcome back my friends to the show that never ends..." y es una alegoría sobre la guerra.
La segunda es un instrumental en el que Keith Emerson interpola partes del calipso "St. Thomas", de Sonny Rollins y el primero de los "Mephisto-Walzer", del compositor Liszt: "El baile en la taberna de la aldea" ("Der Tanz in der Dorfschenke").La tercera, en la que Keith Emerson distorsiona electrónicamente su voz, narra una historia fantástica sobre la pelea entre máquina y el hombre.

KARN EVIL 9


PERSONAL:
Keith Emerson: Órganos, piano, clavecín, acordeón, sintetizadores Moog construidos expresamente, Moog Polyphonic ensemble, voz de computadora en "Karn Evil 9. 3rd Impression".
Greg Lake – voz, guitarras, bajo eléctrico.
Carl Palmer – Batería, timbales, campanas de tubo, marimba, temple blocks, flexotono (flexatone en inglés), sintetizadores de percusión.

PROGRAMA (1973):
"Jerusalem" (Parry,Blake) - 2:44
"Toccata" (Ginastera) - 7:21
"Still...You Turn me On" (Lake) - 2:53
"Benny the Bouncer" (Emerson, Lake, Sinfield) - 2:21
"Karn Evil 9: 1st Impression, Part. 1" (Emerson, Lake, Sinfield) - 8:36
"Karn Evil 9: 1st Impression, Part. 2" (Emerson, Lake, Sinfield) - 4:46
"Karn Evil 9: 2nd Impression" (Emerson, Liszt  {el primero de los "Valses de Mefisto"} , Sonny Rollins {"St. Thomas"}) - 7:07
"Karn Evil 9: 3rd Impression" (Emerson, Lake, Sinfield) - 9:23


En 2014 sale una edición especial de dos cds y un dvd, en el marco de una serie de reediciones de Legacy/Sony music de los títulos de E.L.P. que originalmente conocimos bajo el sello Atlantic.
Otra joya en nuestra humilde colección :)



EDICION ESPECIAL 40 ANIVERSARIO
DELUXE EDITION (2014):
*DISCO UNO:
CD - The original album 2013 remastered
 Jerusalem
Toccata
Still…You Turn Me On
Benny The Bouncer
Karn Evil 9 - First Impression (part one)
Karn Evil 9 - First Impression (part two)
Karn Evil 9 - Second Impression
Karn Evil 9 - Third Impression
*DISCO DOS:
CD - The alternate Brain Salad Surgery
Karn Evil 9 - Third Impression Original Backing Track
Jerusalem First Mix
Still …You Turn Me On First Mix
Toccata *Previously Unreleased
Karn Evil 9 - First Impression (part one) *Previously Unreleased
Karn Evil 9 - First Impression (part two) *Previously Unreleased
Karn Evil 9 - Second Impression *Previously Unreleased
Karn Evil 9 - Third Impression *Previously Unreleased
Excerpts From Brain Salad Surgery NME Flexi Disc
When The Apple Blossoms Bloom In The Windmills Of Your Mind I'll Be Your Valentine B-Side Single (K13503)
Brain Salad Surgery B-Side Single (K10946)
Brain Salad Surgery Instrumental
Karn Evil 9 (3rd Impression) Diff Version
Karn Evil 9 (3rd Impression) Instrumental
*DISCO TRES:
DVD-A - SUPER STEREO BRAIN SALAD SURGERY
Super Sonic Brain Salad Surgery DVD-A
Featuring the original mix remastered & new 2014 stereo mix
Both in MLB Lossless 24/96 & LPCM 24/96
Flac Files are also included
Jerusalem
Toccata
Still… You Turn Me On
Benny The Bouncer
Karn Evil 9 1st Impression Part 1
Karn Evil 9 1st Impression Part 2
Karn Evil 9 2nd Impression
Karn Evil 9 3rd Impression



domingo, 31 de mayo de 2015

Canciones pop PERFECTAS



THE ALAN PARSONS PROJECT - EYE IN THE SKY


THOMPSON TWINS - HOLD ME NOW


MIKE AND THE MECHANICS - SILENT RUNNING


THE CURE - JUST LIKE HEAVEN


TEARS FOR FEARS - SOWING THE SEEDS OF LOVE

DOUBLE - CAPTAIN OF HER HEART



THE MOTELS - ONLY THE LONELY


PAT BENATAR - WE BELONG


ANNIE LENNOX - PRECIOUS

CYNDI LAUPER - TIME AFTER TIME


CLANNAD CON PAUL YOUNG - BOTH SIDES NOW


MORCHEEBA - ENJOY THE RIDE

martes, 19 de mayo de 2015

Robbie Robertson - Music For The Native Americans Live - 1995

(foto: Robbie Robertson y Rita Coolidge)

Robbie Robertson publicó en 1994 junto a un colectivo de artistas que denominó "The Red Road Ensemble" el excelente álbum "Music for the Native Amerricans" (ver entrada en éste blog), como banda sonora para un documental.
En 1995 se presenta con todo el personal, músicos y bailarines, en Agrigento, Italia.
Éste es el vibrante resultado:

ROBBIE ROBERTSON - MUSIC FOR THE NATIVE AMERICANS LIVE (AGRIGENTO, 1995)

Publicado en youtube por el usuario San Krogsgaard

Robbie Robertson And The Red Road Ensemble Live In Agrigento, Italy, May 23, 1995
Music for The Native Americans is a 1994 album by Robbie Robertson, compiling music written by Robertson and other colleagues (billed as the Red Road Ensemble) for the television documentary film The Native Americans. 

01 - 01:00 Ghost Dance (W/ Red Road Ensemble)
02 - 07:12 Mahk Jchi (W/ Ulali)
03 - 12:21 Golden Feather (W/ Red Road Ensemble)
04 - 17:44 Eagle Dance (American Indian Dance Theater)
05 - 19:33 Cherokee Morning Song (W/ The Coolidge)
06 - 24:12 It Is A Good Day To Die (W/ Red Road Ensemble)
07 - 29:36 Crazy Horse (John Trudell & Bad Dog)
08 - 34:02 Skinwalker (W/ Red Road Ensemble)
09 - 40:59 Bury My Heart At Wounded Knee (Buffy Saint Marie)
10 - 45:57 Coyote Dance (W/ Red Road Ensemble)
11 - 49:25 Hoop Dance (American Indian Dance Theater)
12 - 55:28 Ancestor Song (Closing Credits)

The Red Road Ensemble;
Oscar Carpaya
Otomaro Ruiz
William Joseph Dillon
MUSIC FOR THE NATIVE AMERICANS featured The Red Road Ensemble, a North American Aboriginal group. Originally designed as the backdrop to a TBS documentary, the album returned Robertson to his roots, blending traditional Native rhythms with a folk/country sound. Record execs thought it too 'unconventional' for mainstream radio so no singles were released. Even so, the album scored big with Native Americans with tracks like "Mahk Jchi (Heartbeat Drum Song)", "Coyote Dance", "Golden Feather", and "Cherokee Morning Song."

Ulali is a Native American women's a cappella group. Founded in 1987, it includes; 
Pura Fé Crescioni 
Soni Moreno
Jennifer E Kreisberg.
Ulali's sound encompasses an array of indigenous music including Southeast United States choral singing (pre-blues and gospel) and pre-Columbian music. Ulali's live performances address Native struggles and accomplishments.
The group was first called "Pura Fe'" and included three female singers and three males. Later, the group became a duo comprising singers, Soni Moreno and Pura Fé before eventually becoming a trio.

The Coolidge;
Laura Satterfield
Priscilla Coolidge
Rita Coolidge
Walela is a Native American trio of singers. The group was founded in 1996 by sisters Rita Coolidge and Priscilla Coolidge, with Priscilla's daughter Laura Satterfield as the third member. Featured as part of Robbie Robertson and the Red Road Ensemble's album Music for The Native Americans, their distinctive vocal blend brings to life "The Cherokee Morning Song" and has allowed them to tour to an international audience. During the 1996 Atlanta Olympics, Walela had the opportunity to represent their nations—both Cherokee and the United States—as they performed extensively in the Olympic Park.

John Trudell and Bad Dog;
Mark A Schtzkamer
Milton Peters Sahme
William Graham Watts
John Trudell (born February 15, 1946) is an American author, poet, actor, musician, and former political activist. He was the spokesperson for the United Indians of All Tribes' takeover of Alcatraz beginning in 1969, broadcasting as Radio Free Alcatraz. During most of the 1970s, he served as the chairman of the American Indian Movement, based in Minneapolis, Minnesota. 
In 1979, Trudell met Jackson Browne and became interested in the musical world. Trudell recorded an album, A.K.A Graffiti Man, with the Kiowa guitarist Jesse Ed Davis. It was first available only on cassette tape. In 1992 Trudell remade A.K.A Graffiti Man.

Buffy Sainte Marie Group;
Buffy Sainte Marie
Roger Jacobs 
Christoffer J Birkett
Buffy Sainte-Marie, OC (born February 20, 1941) is a Canadian-American Cree singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. Throughout her career in all of these areas, her work has focused on issues of Indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism.

American Indian Dance Theatre;
Swimmer Mckineley JR
Gary Tomahasah
Marty Pinnecoose
Bob Augustine
Eric Sampson
Kevin Haywaye
American Indian Dance Theatre is a professional performing arts company presenting the dances and songs of Native Americans in the United States and the First Nations of Canada. The group was founded in 1987 with Hanay Geiogamah as director and Barbara Schwei as producer. Raoul Trujillo served as choreographer and co-director. The group includes members from many different tribal backgrounds. 
Sources From Wikipedia, the free encyclopedia.

This is an old VHS mono recording from 1997 from Danish TV. 
I do not own this VHS tape, I got it from a friend who spend many months on restoration of the original VHS tape. This is the only perfect copy out, and that makes it unique.



viernes, 15 de mayo de 2015

Yes - Going for the one - 1977


Going for the One es el octavo álbum de la banda británica de rock progresivo Yes, editado en 1977.
El álbum marca el retorno del tecladista Rick Wakeman, quien se había alejado casi dos años antes, tras la edición del doble álbum Tales from Topographic Oceans, para dedicarse a su carrera solista. El disco recibió buenas críticas, y estuvo al tope de las listas británicas por una semana, lo cual significó un verdadero "retorno triunfal" para el tecladista y para toda la banda.
A algunos fans de la banda, como en mi caso personal, nos ha llevado unos años "re-valorizarlo" dentro de la discografía de Yes.

En  éste caso no contamos en la portada con los clásicos e imaginativos dibujos del genial Roger Dean.
La carátula del álbum, encargada al prestigioso estudio gráfico Hipgnosis, retrata a un hombre desnudo frente a una imagen futurista e imponente del complejo Century Plaza Towers, de Los Angeles.
YES - GOING FOR THE ONE 

TRACKLIST
Going for the One (Anderson) – 5:32
Turn of the Century (Anderson, Howe, White) – 7:56
Parallels (Squire) – 5:53
Wonderous Stories (Anderson) – 3:49
Awaken (Anderson, Howe) – 15:31
YES
Jon Anderson - voz, percusión, arpa
Steve Howe - guitarra eléctrica y acústica, laúd español, coros
Chris Squire - bajo, coros
Rick Wakeman - piano, órgano de iglesia, sintetizadores "Polymoog" & "Minimoog"
Alan White - batería, percusión

domingo, 10 de mayo de 2015

Yes - Relayer - 1974


Relayer es el séptimo álbum del grupo de rock progresivo Yes. Grabado y lanzado en 1974, es la única grabación de estudio en la que participa el teclista Patrick Moraz, sustituyendo a Rick Wakeman, quien había abandonado Yes el año anterior.

Después del ambicioso álbum conceptual "Tales from Topographic Oceans", Wakeman salió de Yes para proseguir su carrera como solista. La banda audicionó a varios sustitutos potenciales, incluyendo al teclista griego Vangelis, pero terminaron eligiendo al suizo Patrick Moraz como reemplazo con el álbum en plena producción.

Con Relayer, Yes retomó el formato de Close to the Edge (una extensa canción épica en un lado del LP, y dos piezas de nueve minutos en el otro), pero con un estilo musical muy diferente. "The Gates of Delirium" es una composición sofisticada de 20 minutos inspirada en la famosa novela de León Tolstói Guerra y Paz. La pieza es un soberbio óleo que expone en 3 partes los elementos del conflicto bélico, con arreglos musicales que grafican escenas de batalla. La exposición temática de Anderson es seguida de una sección instrumental en la cual puede oirse la guitarra de Howe emulando musicalmente la pirotecnia bélica mientras el bajo de Squire evoca estados de odio. Relayer constituye una obra única en el rock e instrumentalmente adelantada a su tiempo, tanto por la imaginería de la guitarra como por el uso instrumental del bajo como una voz ritmica y y melódica impresionista, en un estilo que posteriormente fue seguido por diversos grupos, entre ellos Dream Teather. Al mismo, tiempo, la técnica compositiva que subyace a esta obra requiere un acabado cuyo proceso es sumamente complejo. Luego, a la par del trabajo instrumental, la sección final -"Soon"- constituye el perfecto cierre emotivo de la pieza, a la vez de haberse convertido en un clásico en sí misma de la banda. En efecto, esta sección final de la obra en la que la agresividad de los primeros 16 minutos es sustituida repentinamente por una melodía suave y letras sobre paz, fue lanzada en los Estados Unidos como un sencillo titulado "Soon" a principios de 1975. "Sound Chaser" es una pieza mayormente instrumental y cercana al jazzfusión de esa época , que remite al trabajo de grupos como Return to forever. "To Be Over" es la canción más tranquila del álbum, con arreglos complejos de guitarra y sitar.

SOON


La complejidad musical de"The gates of delirium" no fue comprendida en su momento, lo que se evidencia en las ambiguas críticas de algunos medios: la reacción de la crítica hacia Relayer fue relativamente tibia, después de la controversia levantada por su predecesor. Sin embargo, el disco fue un éxito comercial, alcanzando el puesto #4 en las listas de popularidad del Reino Unido y el #5 en Estados Unidos.

Es curioso que actualmente se comprenda mejor esta obra, tanto por su innovación, la libertad musical que profesa, el virtuosismo y, por sobre todo, la forma en que el contenido es desarrollado comunitariamente. Relayer siendo un hito y una referencia obligada de muchos músicos actuales del progresivo, del heavy metal y del metal progresivo, lo cual nos señala que en efecto se trata de una obra maestra tardíamente reconocida.

El arte de tapa fue realizado por Roger Dean, quien creó un formato de portada similar al de Fragile, con dos pinturas adicionales y una fotografía de la banda en el interior. Como dato curioso, esta portada aparecería más tarde en un comercial de Pepsi, en una camiseta usada por la cantante colombiana Shakira.
(texto de Wikipedia, en parte elaborado originalmente por el autor de éste blog)

YES - RELAYER

YES
Jon Anderson: vocales
Chris Squire: bajo, vocales
Steve Howe: guitarra y vocales
Patrick Moraz: teclados
Alan White: batería

TRACKLIST
"The Gates of Delirium" - 21:50
"Sound Chaser" - 9:26
"To Be Over" - 9:06
Remasterización de 2003
4. "Soon" - 4:18
5. "Sound Chaser" - 3:13
6. "The Gates of Delirium" - 21:16

miércoles, 6 de mayo de 2015

Yello - The flag - 1988


El sexto álbum de éste genial y originalísmo duo suizo fue editado en 1988.
Incluye el que fuera uno de sus mayores éxitos, "The race".La versión editada alcanzó el séptimo puesto de la lista de singles británica en agosto de ese año.Fue el tema usado por Eurosport, y como tema de apertura del show norteamericano "It's Academic".

THE RACE


También un temprano corte del álbum fue usado como banda sonora del film "Nuns on the Run" (con Eric Idle y Robbie Coltrane).
Composiciones con el sello único e inconfundible de Yello, sonido impecable, mucho ritmo, buen humor y elegancia en partes iguales.
Es que Boris Blank y Dieter Meier han sido y son únicos en su especie.
TIED UP

TIED UP IN RED




PERSONAL
Dieter Meier, Boris Blank: Vocals
Boris Blank:Keyboards, electronics, etc.
Billy Mackenzie: Backing Vocals
Leos Gerteis: Clarinet
Chico Hablas: Guitars
Beat Ash: Drums, Percussion

TRACKLISTING
(All Songs Written By Dieter Meier & Boris Blank)
"Tied Up" 6:05
"Of Course I'm Lying" 5:56
"3rd Of June" 4:50
"Blazing Saddles" 3:53
"The Race" 8:08
"Alhambra" 3:38
"Otto Di Catania" 3:20
"Tied Up In Red" (CD bonus track) 8:23
"Tied Up In Gear" 3:58

3RD OF JUNE