miércoles, 24 de octubre de 2012

Yes - Tormato - 1978



Tormato es el noveno álbum de la banda de rock progresivo Yes, editado por Atlantic Records, en 1978. Inmediatamente posterior a Going for the One, alcanzó igualmente las listas de ventas entrando en el Top 10, siendo el himno conservacionista «Don't Kill the Whale» su sencillo más vendido. Tormato continúa con la línea del anterior álbum, con canciones más cortas y enérgicas que las largas suites progresivas de sus discos en los primeros años setenta, y es el último antes del abandono del grupo por parte de Jon Anderson y Rick Wakeman y su sustitución por los componentes de The Buggles en el álbum Drama (1980).

La portada fue de nuevo obra del grupo de diseñadores gráficos Hipgnosis y reproduce un montaje en cuyo fondo aparece el "Yes Tor", una formación rocosa en Okehampton (Devon, Reino Unido). Rick Wakeman le arrojó un tomate a la portada debido a la frustración que sintió al considerar a la imagen como "poco expresiva". Finalmente, se decidió ajustar la portada y contraportada dejando las manchas de tomate como parte de estas.

YES - TORMATO - FULL ALBUM

YES
Jon Anderson - voces
Chris Squire - bajo y vocales
Rick Wakeman - teclados
Alan White - batería
Steve Howe - guitarra

TRACKLIST
Future Times/Rejoice (6:44)
Don't Kill The Whale (3:56)
Madrigal (2:23)
Release, Release (5:46)
Arriving UFO (6:03)
Circus of Heaven (4:29)
Onward (4:02)
On The Silent Wings of Freedom (7:46)

miércoles, 10 de octubre de 2012

Dizzy Gillespie Runs for US President - 1964


Dizzy Gillespie Runs for US President, 1964. 
Promises to Make Miles Davis Head of the CIA.

There comes a point in every national election year when I reach total saturation and have to tune it all out to stay sane—the nonstop streams of vitriol, the spectacles of electoral dysfunction, the ads, the ads, the ads. I’m sure I’m not alone in this. But imagine how differently we could feel about presidential elections if people like, I don’t know, Dizzy Gillespie could get on a major ticket? That’s what might have happened in 1964 if “a little-known presidential campaign… had been able to vault the millionaires-only hurdle.” What began as one of Dizzy’s famous practical jokes, and a way to raise money for CORE (Congress for Racial Equality) and other civil rights organizations became something more, a way for Dizzy’s fans to imagine an alternative to the “millionaire’s-only” club represented by Lyndon Johnson and Barry Goldwater.

Gillespie’s campaign had “Dizzy Gillespie for President” buttons, now collector’s items, and “Dizzy for President” became the title of an album recorded live at the Monterey Jazz Festival in 1963.
A take on his trademark tune “Salt Peanuts,” “Vote Dizzy” was Gillespie’s official campaign song and includes lyrics like:
Your politics ought to be a groovier thing
Vote Dizzy! Vote Dizzy!
So get a good president who’s willing to swing
Vote Dizzy! Vote Dizzy!
It’s definitely groovier than either one of our current campaigns. Dizzy “believed in civil rights, withdrawing from Vietnam and recognizing communist China,” and he wanted to make Miles Davis head of the CIA, a role I think would have suited Miles perfectly. Although Dizzy’s campaign was something of a publicity stunt for his politics and his persona, it’s not unheard of for popular musicians to run for president in earnest. In 1979, revolutionary Nigerian Afrobeat star Fela Kuti put himself forward as a candidate in his country, but was rejected. More recently, Haitian musician and former Fugee Wyclef Jean attempted a sincere run at the Haitian presidency, but was disqualified for reasons of residency. It’s a little hard to imagine a popular musician mounting a serious presidential campaign in the U.S., but then again, the 80s were dominated by the strange reality of a former actor in the White House, so why not? In any case, revisiting Dizzy Gillespie’s mid-century political theater may provide a needed respite from the onslaught of the current U.S. campaign season.

Josh Jones is a doctoral candidate in English at Fordham University and a co-founder and former managing editor of Guernica / A Magazine of Arts and Politics.


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DIZZY GILLESPIE - AFRO - 1954 (FULL ALBUM) 

Afro is an album by trumpeter Dizzy Gillespie recorded in 1954 and originally released on the Norgran label,
The Allmusic review states "Pairing Dizzy Gillespie with Cuban arranger/composer Chico O'Farrill produced a stunning session which originally made up the first half of a Norgran LP... A later small-group session features the trumpeter with an all-Latin rhythm section and flutist Gilberto Valdes... it is well worth acquiring".

Track listing :
"Manteca Theme" (Gil Fuller, Dizzy Gillespie, Chano Pozo) - 00:00
"Contraste" (Gillespie, Chico O'Farrill, Pozo) - 4:56
"Jungla" (Gillespie, O'Farrill, Pozo) - 7:00
"Rhumba Finale" (Gillespie, O'Farrill, Pozo) - 11:48
"A Night in Tunisia" (Gillespie, Frank Paparelli) - 16:31
"Con Alma" (Gillespie) - 20:54
"Caravan" (Juan Tizol) - 26:01
Personnel:
Dizzy Gillespie - trumpet, vocals
Gilbert Valdez - flute (tracks 5-7)
Quincy Jones, Jimmy Nottingham, Ernie Royal - trumpet (tracks 1-4)
Leon Comegys, J. J. Johnson, George Matthews - trombone (tracks 1-4)
George Dorsey, Hilton Jefferson - alto saxophone (tracks 1-4)
Hank Mobley, Lucky Thompson - tenor saxophone (tracks 1-4)
Danny Bank - baritone saxophone (tracks 1-4)
Rene Hernandez (tracks 5-7), Wade Legge (tracks 1-4) - piano
Lou Hackney (tracks 1-4), Roberto Rodriguez - bass
Charlie Persip - drums (tracks 1-4)
Candido Camero - congas, percussion
Mongo Santamaria - congas (tracks 1-4)
Jose Mangual - bongos, percussion
Ubaldo Nieto - timpani, percussion
Ralph Miranda - percussion (tracks 5-7)
Chico O'Farrill - arranger (tracks 1-4)